Tomás Saraceno: Arachnid Orchestra. Jam Sessions Arachnid Orchestra. Jam Sessions, on view from October 23, 2015 to December 20, 2015 at Nanyang Technological University Centre for Contemporary Art Singapore, is a new production by CAST Visiting Artist Tomás Saraceno that … Continued
“A sense of smell was my portal to a freer world as a child. I prefer to smell someone’s sweater that’s been on the body than to look at a picture of that person,” explains CAST Visiting Artist Anicka Yi. … Continued
“Wherever you look in science”, says MIT Museum Director John Durant, “you see the historical importance of finding new ways of visualizing things, leading to greater understanding of the world. From Galileo’s use of his own hand-built telescope to explain … Continued
Combined grants provide 8 years of funding, among largest gifts received by the arts at MIT Cambridge, MA, April 22, 2015–The MIT Center for Art, Science & Technology (CAST) has received $1,500,000 from the Andrew W. Mellon Foundation, in support … Continued
On September 26-27, CAST is convening artists, neuroscientists and scholars in the visual arts, music, physics, mathematics, history, anthropology and philosophy to participate in the symposium “Seeing / Sounding / Sensing.” Organized by MIT Professors Caroline A. Jones (Chair) and … Continued
Caroline A. Jones is a Professor of Art History in the History, Theory and Criticism of Architecture and Art program at MIT. She studies modern and contemporary art, with a particular focus on technological modes of production, distribution, and reception. … Continued
In Tomás Saraceno’s most recent installation On Space Time Foam, visitors are invited to enter three clear membranes of plastic suspended 25-meters in the air. The installation creates a new bodily experience, transforming everyday perceptions of space and one’s relationship to others. In this work, he takes as his material and inspiration the basics of physics: mass, energy, space, and gravity. At MIT, he had the opportunity to share his work with physicists Jerome Friedman and Robert Jaffe, Edward Farhi, and Alan Guth from MIT’s Center for Theoretical Physics.
The dream of Saraceno’s ongoing project, “Cloud City,” is not only to live among the clouds but also to create cities more like clouds – changeable, mobile, and responsive to atmospheric shifts. His experimental sculptures, expressing an aerial vision for the future, are often prototypes for incubating an interconnected existence in the sky. At MIT, Lodovica Illari, Adrian Dalca and Michael Rubinstein, and John Hansman shared with Saraceno their expertise on atmosphere and flight, representing the exciting possibilities in hinging visionary thinking to technical expertise, imaginative speculation to material realities.
When asked who the audience was for his work during a public lecture here at MIT, Tomás Saraceno replied, “spiders!” Here we explore the artist’s ongoing interest in biomimicry –- the creative application of natural systems and processes towards human solutions -– through the work of several MIT researchers. Like Saraceno – whose aerial installations take inspiration from spider webs, soap bubbles, neural circuits, and cosmology – faculty Markus Buehler, Neri Oxman, and Dörthe Eisele are similarly interested in harnessing the power of nature to create new materials for a more sustainable future.